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Lorenzo’s death brings an end to Michelangelo’s two years in the Medici palace. Unsure of whether Piero will support him, he returns to his family home. Ludovico insists that Michelangelo should put aside his artistic ambitions and join a guild, so as to build a business with his brother, Buonarroto. At the same time, Ghirlandaio invites him back to the fresco studio. Michelangelo goes to the Topolinos and reflects on his position while carving stone. Neither option is right, he decides, as he is certain of his desire to pursue sculpture. He spends his time sketching and drawing, working in the library of the monastery of Santo Spirito. The church is run by Father Nicola Bichiellini, who supports Michelangelo’s art and gives him space and resources to study. Their conversations also help Michelangelo to learn about his own spirituality.
Piero de’ Medici lacks his father’s talent for ruling. He wishes to impose his will on Florence, much to the resentment of the people, who consider him the “poorest ruler” (195) in many years. He ignores the people and their elected leaders. Soon, an opposition against him forms. As well as other Medici, Savonarola is increasingly influential in the city. Meanwhile, Michelangelo wishes to make a sculpture.
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By Irving Stone